originalklang project 2026

“When I want to produce a soft and restrained note, I don’t give it to an instrument that plays this note easily, but to one that so with great effort, even strain, yes, often with overexertion and exceeding its natural limits. For me the basses and bassoon often have to squeak (!) on the highest notes, while the flute blows way down in the low register… 

Gustav Mahler

Gustav Mahler’s music is part of our Western identity today. But do we really know it? Do we know how it sounded when it was first performed, or even how it might have sounded in Mahler’s head when he first conceived it in Toblach? Challenging our expectations in this regard also means reconsidering our understanding of history, tradition and identity.

Mahler Academy Orchestra Tour 2026

Bolzano

04/09/2026

Teatro Comunale

Tickets

Toblach

05/09/2026

Sala Mahler

Tickets

Milan

09/09/2026

Stresa Festival

Tickets

London

11/09/2026

BBC Proms

Tickets

Cologne

12/09/2026

Kölner Philharmonie

Tickets

Amsterdam

14/09/2026

Concertgebouw

Tickets

Linz

16/09/2026

Brucknerhaus

Tickets

Vienna

17/09/2026

Konzerthaus

Tickets

Hamburg

18/09/2026

Elbphilharmonie

Tickets

Mahler Revisited

Research

The Mahler Academy works to ensure that the latest findings on historical performance practice in Vienna between 1890 and 1910 will be available for the work of the musicians. They collaborate closely with Prof. Dr. Clive Brown, who, as a leading specialist in the field of performance practice of romantic music, will accompany the research and rehearsal process of the orchestra and instruct the musicians in workshops and sectionals.

“Our concepts of beautiful and communicative performance are always evolving. Sometimes, along the way, we lose sight of sounds that are subtler and more apt for a realisation of the composer’s vision than those which have replaced them; sometimes, too, we lose contact with expressive practices that were only to be read between the lines, even in such detailed scores as Mahler’s. Rediscovering these sounds and practices, and using them creatively, can reinvest the music with a freshness and impact that has been lost through technological developments and anachronistic responses to Mahler’s notation.”

Prof. Dr. Clive Brown

Instruments

As part of its partnership with the Mahler Academy, the Foundation Euregio Kulturzentrum Toblach has begun building an instrument collection for the originalklang project, for which the instruments of the Vienna Court Opera Orchestra around 1910 are being meticulously reconstructed. The Foundation has purchased wind- and percussion-instruments and restored them or, in a few cases, had exact copies made. The string players use gut strings on their instruments and adapt their techniques to the conventions of the time.

Mahler Academy Orchestra

VIOLIN

Chupin, Afanasy *
Camerata Salzburg

Debus-Malm, Anna Maria*
Mahler Chamber Orchestra

Spadano, Massimo*
Orquesta Sinfónica de Galicia

Arzberger, Stefan
Leipziger Streichquartett

Baubin, Stephanie
Mahler Chamber Orchestra

Faganel, Žiga
Slovenian Philharmonic

Haffner, Léon
Mahler Academy Alumnus

Heubes, Christian
Mahler Chamber Orchestra

Kevorkova, Irina
Slovenian Philharmonic

Lee, Elissa
WDR-Symphonieorchester

Lörstad, Johannes
Stockholm Philharmonic

Michaluk, Maxime
Camerata Salzburg

McGowan, Leanne
Mahler Chamber Orchestra

Mondini, Claudio
Filarmonica della Scala

Radivo, Giovanni
Orchestre National de Lyon

Reina, Jesús
Utopia Orchestra

Ross, Michelle
Mahler Chamber Orchestra

Tesini, Giacomo
Lucerne Festival Orchestra

VIOLA

Jacobsen, Volker*
Artemis Quartett

De Jong, Marie-Louise
Dudok Quartet Amsterdam

Forni, Martina
Royal Concertgebouw Orchestra

Krimm, Anna
Beethovenorchester Bonn

Krüger, Carolin
Staatskapelle Halle

Saniter, Aline
NDR Elbphilharmonie Orchester

Winkler, Jörg
Maggio Musicale Fiorentino

CELLO

Geminiani, Gabriele*
Orchestra Mozart

Mandič Faganel, Alja
Slovenian Philharmonic

Pfiz, Konstantin
Utopia Orchestra

Rostamo, Johannes
Stockholm Philharmonic

Van Iersel, Johan
Royal Concertgebouw Orchestra

DOUBLE BASS

Wylezol, Andreas*
Staatskapelle Dresden

Devaere, Tom
B-Rock

Di Ronza, Roberto
Lucerne Festival Orchestra

Shaham, Naomi
Symphonieorchester des Bayerischen Rundfunks

FLUTE

Tonelli, Chiara*
Mahler Chamber Orchestra

Aceña Moreno, Diego
Staatsorchester Kassel

Schwaabe, Natalie
Symphonieorchester des Bayerischen Rundfunks

Varoch, Francisco
Mahler Chamber Orchestra

OBOE

Pidoux, Gabriel*
Ensemble Pygmalion

Sima, Sebastian*
Orchester der Wiener Staatsoper

Verdegem, Stefaan
AnimAeterna

CLARINET

Oberaigner, Robert*
Staatskapelle Dresden

Bewersdorff, Martin
Dortmunder Philharmoniker

Perschler, Sylvester
Wuppertaler Symphonieorchester, Concerto Köln

BASOON

Mandolesi, Giorgio*
Orchestre de Paris

Tutzer, Philipp*
Mozarteumorchester Salzburg

Barigione, Maurizio
Teatro Massimo Palermo

HORN

Dorfmayr, Peter*
Wiener Symphoniker

Paul, Katharina*
Mahler Academy

Gurdet, Florian
Klangvereinigung Wien

Lengyelvari, Peter
Wiener Symphoniker

Wetter, Laurids
Wiener Volksoper

TRUMPET

Jehl, Guillaume*
Berliner Philharmoniker

Gaisböck, Wolfgang
Camerata Salzburg

TROMBONE

Voglmayr, Walter*
Wiener Symphoniker

Gaiswinkler, Otmar
Wiener Symphoniker

TUBA

Winkler, Franz*
Wiener Symphoniker

TIMPANI

Kendell, Robert*
Constellation Orchestra

Rapp, Stefan*
Kammerphilharmonie Bremen

Sugishita, Rizumu
Camerata Salzburg

PERCUSSION

Miglioranza, Christian*
Mahler Chamber Orchestra

Sugishita, Rizumu
Camerata Salzburg

HARP

Gandino, Gaël*
Bayerisches Staatsorchester München

CELESTA

Sugishita, Rizumu*
Camerata Salzburg

Debut recording of the Mahler Academy Orchestra on Alpha Classics: Philipp von Steinaecker conducts Mahler’s Ninth Symphony on period instruments.

 

Just in:
Awarded with the German Record Critic’s Awards

Debut recording of the Mahler Academy Orchestra on Alpha Classics: Philipp von Steinaecker conducts Mahler’s Ninth Symphony on period instruments.

Just in:
Awarded with the German Record Critic’s Awards